Original Research
'Om te kan asemhaal': transformerende mimesis as voorwaarde vir betrokkenheid in die poësie van Antjie Krog
Koers - Bulletin for Christian Scholarship/Bulletin vir Christelike Wetenskap | Vol 76, No 4 | a416 |
DOI: https://doi.org/10.4102/koers.v76i4.416
| © 2011 C. Kostopoulos
| This work is licensed under CC Attribution 4.0
Submitted: 10 September 2011 | Published: 10 September 2011
Submitted: 10 September 2011 | Published: 10 September 2011
About the author(s)
C. Kostopoulos, Departement Filosofie, Universiteit van Johannesburg, South AfricaFull Text:
PDF (264KB)Abstract
'In order to breathe': transformative mimesis as a condition for commitment in the poetry of Antjie Krog
Committed writing makes salient a type of relationship between text, reality and reader which presupposes mimesis. Mimesis is, however, a seemingly outdated concept in literary aesthetics. Therefore, it is necessary to rehabilitate mimesis conceptually in order to account for actual literary commitment. This rehabilitation can be done via Paul Ricoeur‟s theory of a threefold mimesis, also known as mimetic arc. The mimetic arc allows a view of mimesis that privileges neither aesthetic autonomy nor aesthetic heteronomy. Thereby the power of art to influence society is preserved without compromising its unique aesthetic goals and characteristics. The threefold mimetic process consequently points towards a transformative mimesis, which acts as the condition for the possibility of literary commitment itself. The principles of transformative mimesis are present in the poetry of Antjie Krog in a salient and enlightening way, making her poetry exemplary committed art.
Committed writing makes salient a type of relationship between text, reality and reader which presupposes mimesis. Mimesis is, however, a seemingly outdated concept in literary aesthetics. Therefore, it is necessary to rehabilitate mimesis conceptually in order to account for actual literary commitment. This rehabilitation can be done via Paul Ricoeur‟s theory of a threefold mimesis, also known as mimetic arc. The mimetic arc allows a view of mimesis that privileges neither aesthetic autonomy nor aesthetic heteronomy. Thereby the power of art to influence society is preserved without compromising its unique aesthetic goals and characteristics. The threefold mimetic process consequently points towards a transformative mimesis, which acts as the condition for the possibility of literary commitment itself. The principles of transformative mimesis are present in the poetry of Antjie Krog in a salient and enlightening way, making her poetry exemplary committed art.
Keywords
Aesthetic Autonomy; Commitment; Mimesis; Ricoeur
Metrics
Total abstract views: 1523Total article views: 1354
Reader Comments
Before posting a comment, read our privacy policy.Post a comment (login required)